"Big Band Holidays III" is back! The latest @jazzdotorg Orchestra Christmas album is now available again on all major digital platforms. If you’re in the mood for some seasonal swing, give it a listen. I’ve also gathered all six of my Christmas albums in one place, from

In September of 2011, Eric and @wyntonmarsalis released their collaboration album, 'Wynton Marsalis & Eric Clapton – Play The Blues - Live From Jazz At Lincoln Center,' which was recorded in April of that year at New York City's Jazz at Lincoln Center (@jazzdotorg).

I’m honored to be live on Hello Houston this moment, sharing thoughts on music, education, and the spirit of jazz: https://t.co/cXzrttBPKc

Grateful to the Baltic Bassoon Quartet for their recording of my piece "4 Bassoons Talking". Equally grateful to @CristiMacelaru and his family for the inspiration: https://t.co/16eUJlQF7W Also check out the sheet music now available in PDF and printed: https://t.co/TZBFgK8Gq0

Last night’s concert with the @jazzdotorg Orchestra was a profound journey through the sound and spirit of South African jazz. Under the direction of our own saxophone player Chris Lewis, we explored the visionary works of Bheki Mseleku and the boundless creativity of

"Could a history book be more timely?" -The Economist "An exemplary book with impeccable clarity." -Irish Independent Johan Norberg's "Peak Human" examines seven of history's greatest civilizations and reveals the pattern that ended them all.

‘Monwabisi’ — a spirited week, in New York, with the Jazz at Lincoln Center Orchestra has officially begun… here is a rehearsal excerpt of Maestro @wyntonmarsalis solo on a Bab’uBheki Mseleku dedication to Bab’uWinston Mankunku — so much historical and cultural convergence in

I am deeply grateful for all of the beautiful messages you have sent me. It is very meaningful and moving. I wish I could know and interface with everyone in a very personal and present way. Alas, the facts of life limit time and space, but those same limitations do not apply to

Last night, October 11, we played our second concert in Accra, and the final performance of our Africa tour, at +233 Jazz Bar & Grill. The atmosphere was filled with joy, as we shared the stage with friends and fellow musicians. Earlier in the day, we were warmly hosted by Dr.

Last night, October 10, we played our first concert in Accra at +233 Jazz Bar & Grill, a night full of energy, spirit, and deep connection. We were joined by incredible Ghanaian musicians: Thomas Nii Lantey Botchway, Ogbamey Commey, and Rashid Suley on percussion, seated

Weedie, Herlin and Obed with Thomas Nii Lantey Botchway, Ogbamey Commey, Rashid Suley, playing Kpanlogo music during today’s Soundcheck for our first gig at +233 Jazz Bar & Grill in Accra, Ghana

When we arrived in Accra on October 8, we were welcomed with music, dance, and spirit. The Indigenous Vibes Band filled the airport with Obonu drums and joy. As soon as we reached the hotel, Weedie, Alexa, Herlin, and I joined a press conference with the Ghana Jazz Foundation and

Filming an interview in Accra, Ghana, for @asaaseradio995. The @jazzdotorg Orchestra performs tonight at @Plus233Live Jazz Bar & Grill for the Ghana Jazz Foundation

Last night in Accra, the @jazzdotorg Orchestra and I were welcomed with such beauty and spirit. Right outside customs, the Indigenous Vibes Band greeted us with Obonu drums, Tigali music and dance, and the joyful energy of Kolomashie traditions

The @jazzdotorg Orchestra is at the airport, getting ready to fly from Lagos to Accra, Ghana. We’ll be performing at +233 Jazz Bar & Grill on October 10–11

Last night, the @jazzdotorg Orchestra performed at the Landmark Centre in Lagos for the @RunwayJazz Festival, an evening full of spirit and connection. Earlier in the day, we met with the press and were welcomed by the Nigerian Trumpet Guild, whose music and percussion carried