"I was never signed to StarBoy Records. I was signed to Aristokrat; same label as Burna... I did get an offer from Wizkid, but Aristokrat won't let me go." - Ceeza Milli
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@OneJoblessBoy Star boy consist of people that are not even musicians , this one no be mor oga o .π¦
π
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@OneJoblessBoy Wizkid love Ceeza Milli meeeeh but baba didn't take himself serious....he was on many hit tracks with Wizkid so I think he's already contented with that
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@OneJoblessBoy Till date, this guy is the wasted talent I know. Man was good but him no serious
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@OneJoblessBoy Bro for pen games he's better than Peruzzi, ceeza milli good scatter AHH na π of pen
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@OneJoblessBoy Was in love with ceeza good looks⦠swagg and pen . Did a good song with DJ cuppy
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@OneJoblessBoy Or, what lessons can emerging artists learn from Ceeza Milli's experience to navigate these challenges more effectively?
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@OneJoblessBoy effectively?This response not only acknowledges Ceeza Milli's personal narrative but also invites a broader discussion on the structural and cultural aspects of the Nigerian music industry, encouraging a dialogue that goes beyond the surface-level revelation.
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@OneJoblessBoy Perhaps a deeper engagement with this post could involve asking: How can the industry evolve to better support artists like Ceeza Milli, ensuring that talent and potential are not stifled by label politics?
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@OneJoblessBoy It raises questions about the potential "what ifs" had he joined StarBoyβwould his career have followed a different path, or would the same industry politics have persisted?In responding to this post, it's worth considering the systemic issues within the industry.
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@OneJoblessBoy This scenario is reminiscent of past controversies, like the dispute over songwriting credits for Burna Boy's "On The Low," where public perception and industry politics played a crucial role.
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@OneJoblessBoy The same aristokrat wey carry burna e reach ceeza turn he flop ππ, I dey tell this fcs say if e didn't dey e no dey be that. burna is gonna be here for a long time make Dem get use to am
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@OneJoblessBoy This can lead to talented artists like Ceeza Milli being undervalued or pigeonholed, despite their contributions.
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@OneJoblessBoy The Nigerian music scene, while vibrant and globally influential, often operates under a political framework where opportunities are not always merit-based but influenced by alliances and power dynamics.
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@OneJoblessBoy Moreover, Ceeza Milli's mention of his pen game and collaborations, such as with Wizkid on tracks like "Soco," indicates his significant influence despite these constraints.
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@OneJoblessBoy While being part of a label like Aristokrat might have provided certain resources and exposure, it also limited his ability to explore other opportunities, such as joining Wizkid's StarBoy collective, which could have altered his trajectory significantly.
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@OneJoblessBoy This situation is not just about Ceeza Milli's personal journey but also reflects the broader challenges artists face when navigating contracts, opportunities, and industry politics.
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@OneJoblessBoy Ceeza Milli's revelation about never being signed to StarBoy Records, despite an offer from Wizkid, sheds light on the intricate web of label politics and artist management within the Nigerian music industry.
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