David Kanter
@davidkanter
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Connecting great people and organizations @baltcommfdn. former: @centerstage_md. he/him/his.
Baltimore, MD
Joined March 2009
RT @baltcommfdn: 📣 Funding Opportunity! The Black Philanthropy Circle is accepting applications from 3/31 - 4/30. Applicants should be Blac….
bcf.org
The Black Philanthropy Giving Circle is a nonprofit 501(c)3 donor-advised fund focused on charitable giving to nonprofit organizations committed to providing services for the betterment of African...
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My new professional digs! I’m thrilled to have joined the Baltimore Community Foundation, and I’m so excited for all we’ll be able to do together.
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A stunning evening I will never forget. Seeing this in the Sun today is an incredible dream come true. So proud and grateful to the @centerstage_md team. (photo by Kim Hairston)
The Pearlstone Theater is looking amazing tonight thanks to the BCS production staff and the stagehands and technicians from @IATSE Local 19.
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It's an exciting time to be @centerstage_md !.
Baltimore Center Stage is thrilled to host @POTUS at our theater for @CNN's Town Hall special hosted by @andersoncooper on Thursday at 8pm. #Baltimore #Theater #CivicDialogue
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"A Dog's House asks the tough questions of our times: should a dachshund sacrifice his honor to protect the chihuahua he loves? What freedom can be found in a society of leashes, literal and conceptual? Can one ever, truly, go back to befur?" 😂😂😂 I adore it.
Just when you thought you had opened all of your gifts — we have one more to share! We are proud to re-leash our final purrduction of 2020: A DOG’S HOUSE, featuring the pets of BCS!.
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RT @centerstage_md: A Statement/Thread from Baltimore Center Stage:. Today is the day of our end-of-season gala. We are meant to be spendin….
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Over the past week, got to see two live British productions courtesy of PBS’s Great Performances: The Sound of Music Live, produced on soundstages in London and captured live for ITV in 2015; and John Logan’s Red,…
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The logo is spiffier, but it’s still the Finborough Theatre, a fifty-seat venue in London where I spent a few months as intern and then Asst. General Manager in 2013. While I was there, I heard the Artistic Director…
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A few weeks ago, thebitca and I each got a package in the mail with strict orders not to open it until we were instructed. Today, we finally had the opportunity to look inside, as this was our day to see the Geffen…
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Fish gotta swim, birds gotta fly; and on Saturdays during this period I watch Plays in the House, the semi-weekly offering from Stars in the House with Seth Rudetsky and James Wesley featuring free live play…
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Time flies when you’re watching virtual plays. Over the last week, I virtually attended two Zoom readings of new works, produced by the good folks at the Playwrights’ Center in Minneapolis, by two of their core…
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Last week, I made another virtual trip to Chicago for the recorded Victory Gardens production of Jeanine Tesori and Lisa Kron’s “Fun Home”, adapted from the graphic novel by Alison Bechdel and directed by Gary…
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Another virtual trip back to Europe from earlier this month: the filmed capture of SharkLegs Theatre Company’s “Fulfilment”, presented by the Greenwich Theatre as part of their Flashback Friday series! With text…
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Last week, I curated for myself a pair of short comedic one-acts, both performed live on Zoom: “Frankie and Will” by Talene Monahon, a part of New York’s MCC Theater LIVELABS series, featuring Zoom theatre veterans…
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RT @Casey_Mink: The absolutely sick things I would do right now just to hear the “mmmm” sound roll through an elderly audience when the act….
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It’s remarkable that this recording exists at all, not to mention how clear and engrossing it is. Another from last month: The Wooster Group’s late 1970s experimental production Rumstick Road, composed by the late…
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Another show from last month: I traveled virtually to TimeLine Theatre Company for the Chicago premiere of James Ijames’s “Kill Move Paradise”! Directed by Wardell Julius Clark, its live run was cut short, but…
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Another from this week: Andrew Scott in “Sea Wall”, written by Simon Stephens, a film made of the acclaimed 30-minute monologue. If you had a short one-act play, it used to be more common to pair it with one or…
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I’ve never been to the Vineyard Theatre in New York City, though I’ve seen plenty of work that originated there. Earlier this week, I got to see my first Vineyard Theatre production virtually, a staged zoom reading of…
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Earlier tonight (and online for just a short while longer!): thrilled that I had the chance to see a streamed, remotely filmed performance of Joshua Harmon’s Significant Other, with the original Broadway cast, under…
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