BGU English
@BGUEnglish
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English at Bishop Grosseteste University 100% Student Satisfaction (NSS 2022)
Lincoln
Joined November 2012
🙏 Thanks to our students for the boost: they gave 100% overall satisfaction with our degree in English Literature, placing us... 1st in the UK!!! 🍾 Hear more from them here https://t.co/sM43MVjHQo
#NSS #studyenglish #studyliterature #englishliterature #litchat @BGULincoln
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Congratulations to our final-year Andrew Pearse, whose poem ‘The Statue’ wins the Tennyson Poetry Award 2023! 🎉🎉🎉 It will be soon published on @BGULincoln website.
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🙌👏🤗
Here's a whole bunch of @BirkbeckC19 alumni attending the @VPFA1 conference in Lincoln. Having fun and learning stuff with cohort mates @janetteleaf1 and @EsserHelena along with new friends Professor Carolyn Oulton, Professor Julia Kuehn and Professor @andrewking2904.
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Thank you all for sharing this amazing adventure with me @BGUEnglish @BGULincoln @AndrewJHJackson @amb1860 #VPFAHiddenHistories
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Our conference organisers, including our own @ccapancioni . We have had a fantastic time, thank you so much! #VPFAHiddenHistories
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It’s almost time for our Reading Group session at #VPFAHiddenHistories! This afternoon, we’re discussing the joys and challenges we encounter while recovering victorian queer histories through research. Join us at 14:00 (BST) online or in Teaching Room 7!
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Great to share a panel earlier on 'Literary Geographies and the Local' at #VPFAHiddenHistories @VPFA1 with @KentMaps1 @TimDavi25224265 @ccapancioni @BGUEnglish
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Time for Keynote Speaker #3: @AdrianWisnicki We are excited to hear his talk on ‘Undisciplining the Victorian Classroom’! #VPFAHiddenHistories
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What an interesting start to the day, Sophie. #VPFAHiddenHistories
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Marginalised citizens are not just represented as victims but as people who stand up for themselves and reaffirms their identities by allowing them a place in society.
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Wealth and status of those in power means that crimes against women were covered up. Victims that survive are given a a voice to accuse and confront their abusers directly allowing them to reclaim power and energy.
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Sex workers are not viewed through the male gaze, but given an evoking back story which attracts sympathy.
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Audience engagement is through ‘epistemological quest’ and transports a moral message to the audience. Whitechapel is more than a gothic background. Audience challenges their own assumption on what the Victorian London East End looked like.
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Reid is a protector of underprivileged and disenfranchised Whitechapel citizens by treating them with respect and dignity and never looking down on them.
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First speaker of Panel Ten: Sophie Bantle, discussing ‘Ripper Street’, which focuses on ‘one of the most famous crimes in history’. It is a counter narrative to the Ripper myth, which focuses on humanising the victims and asks the audience to sympathise with the girls.
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Winding down with canapés and sparkling elderflower ready for another busy day tomorrow!
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