Anna Calvi
@annacalvi
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Although it's not meant to be a duet, 'I See A Darkness' floats so perfectly into this shape- its yearning feels amplified by two voices. I'm so proud of this piece of music. I hope you enjoy. https://t.co/EMJrjlKKHX
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I love to hear your thoughts and questions on the themes I explore on Substack, so in that spirit I will do another Q&A next week- please leave your questions for me in the comments of the Substack post and I’ll share my responses next week. https://t.co/FWNghuzbRr
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Some duets are outward looking- they are a presentation of the integrity and character of both artists... Other times the collaboration can feel more opaque- are the artists sharing a true representation of themselves and does that even matter? ANNA CALVI / SOAP&SKIN - Blackstar
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I had planned every second of this show- when the bass line from Miquelon, a piece from my Peaky Blinders score started, I would walk out, and stand in front of the lights, staring into the audience’s eyes. Read more on my Substack: https://t.co/FWNghuyE1T 📸: Sinead Skinner
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The real AI story isn’t about who’s building it — it’s about who’s already using it to boost margins while everyone else tweets about the “AI revolution.”
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My heart is full.. It meant so much to see you all on Saturday, to feel your energy again, and to create this moment together that felt so powerful. It will live on in the ether of our memory. I will remember this show forever. 📸: Emma Nathan
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The construction of a show is quite an undertaking. A set list is a curation, it’s a delicate construction. I want it to feel like chapters with distinct moods.. some disrupt, some hypnotise..
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I’m a huge fan of Isobel’s work as a composer- this show is going to be so special. I’ve also got some amazing guests, I really want to tell you who they are but I think the surprise will be even better…
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I’m really excited to announce that Isobel Waller-Bridge has composed original orchestral arrangements played by the Manchester Collective for my show at Earth Theatre.
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Stylist: Phoebe Butterworth Assistant Stylist: Alice Sanders Security: Amity Group Production Vehicle: David White Editor: Avner Shiloah VFX: Alexander Brown Starring: Tilly Woodward / Alexandra Smith / Mike Kelson
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Director: Alexander Brown Producer: Alex White Production Company: We Are Jealous Commissioner: John Moule Director of Photography: Marti Guiver 1st AC: Peter Swinford 2nd AC: Ciaran Turner Gaffer: Adam Trzcinski Spark: Fin Grover
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I love how the video also shows the subtle defiance it takes for two women to have a free and happy evening without letting any stranger disturb the beauty of their bond. Thank you so much to everyone involved in making this:
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I love the idea that each time this moment is remembered, it changes, and becomes more poignant. Every touch becomes more significant.
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I’m so proud of the video for I See A Darkness, which is directed by Alexander Brown. It shows the intimacy of friendship during a night out, as a moment between the two friends is remembered over and over. https://t.co/qUA7kJe19M
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in that it can acutely reveal to me what I need, and in the rawest sense, reaffirms what it is to be human. I couldn't think of another singer who could translate this feeling more perfectly than Perfume Genius. In this song I am his shadow, and his voice is light iself.
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Day one of the Cardano Summit 2025 was a great success. Thank you to @F_Gregaard, CEO of the @Cardano_CF, for the kind words and recognition. We keep building, stronger, together.
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I've always dreamed of singing 'I See A Darkness'. It's so rare for a song to capture the beautiful romance of platonic friendship and chosen family so perfectly. It also reminds me that loneliness can be transformative,
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