i wrote this for @billieeilish I couldn’t sleep again last night so I did what I always do - I started going through old scraps of ideas and I’ll start humming something until an impression starts to form.  “It’s always night or we wouldn’t need light” - didn’t  Thelonious

A Big Round of Applause

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BEVERLY PALMS HOTEL (2025) // 59.5 x 78.5 inches // swipe to see how we installed it at Mirage Factory

oh no....

For mirage factory I created a unique performance from my new work Beverly Palms Hotel, recreated as the characters from the photograph with wigs, prosthetics, props and costumes. a los angeles soirée came through sound design of the santa anas, earthquakes, fire, sirens

what a fever dream! Thank you @capitalone for supporting this epic project. the myth, collective memories and dreams around Los Angeles through six months of planning and building with @thecultivist and over 100 craftsmen. My incredible studio, the warren brothers who are 3rd

✨Mirage Factory✨ Presented by @CapitalOne @thecultivist #capitalonepartner

Detail from HIDDEN HILLS (ECHOES), 2025 // 59.5 x 70.56 inches // swipe to full image new for an upcoming show, on early view at @artbasel Miami Beach i wanted to combine unexpected moments to unlock the imagination and challenge rational thought, resulting in an

i was very fortunate to have worked with #ROSALÍA a couple months before her absolute masterpiece LUX came out. american haiku, the agency leading this campaign, wanted her to be cloaked in mystery until their unveiling because this campaign introduced her as the new New Balance

Goddess Cate Blanchett in Uncanny Calley for @wmag - happy halloween! i had 6 hours total with cate. that included costumes hair makeup and prosthetics. W only asked me to shoot a cover and 8 pages, but i thought, how can i have The Great Cate Blanchett for 6 whole hours and

i wanted to strip away anything that might create a barrier between @billieeilish and her audience. i chose to focus on who she is as a person, an innovator, and a woman without any of the extra layers that can sometimes make an image more complex. I used references of other

THE NEW YORKER centennial anniversary - the divine Sophie and Ellie Thatcher embodying another time free from the shackles of today * Illustration: Cover by Julian de Miskey, October 18, 1930. @NewYorker

I shot out of a helicopter to make this. KIMBERLY, 2008 from The Big Valley. I found that finding the performance in unconventional ways can and cut through the awkwardness of scripted poses and lead to something unexpected that touches upon a truth. that's one of the reasons i

In 2015, @wmag asked me to photograph Giorgio Armani for his beautiful new museum opening in Milan. Upon my arrival in Milan, Mr. Armani and I sat together going through my sketches as I explained the concept I wanted to bring to life with him. He was amused and had no resistance

"Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound